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Chicago’s Blane Fonda Goes Back To Prom

Blane Fonda (Zaptown - http://www.zaptownmag.com)

The spectacular peculiarities known as The Punk Rock Prom returns to Indy this weekend. Venture yourself down to Fountain Square and immerse in the celebration as The Hoosier Dome opens its doors to boys and girls of every age. You will find bands like Diarrhea Planet, Green Room Rockers, One Inch Punch, and more ready to turn that prom dress into a sweaty mess of rock and roll, punk, and ska afterglow.

Coming down from Chicago, Blane Fonda returns to the Prom with the intensity and fun that is like no other. These guys are pumped making their live gig solid gold. So iron out your Sunday best and put on your dancing shoes because these guys are going to rock your ass! This is the band you only wish played your high school prom.

I spoke with the group about the upcoming weekend, as well as their recent release Foolish Croon.

Piradical Producations presents:
Punk Rock Prom 2012
https://www.facebook.com/events/393864713968781/
Saturday, May 5 at The Hoosier Dome
http://www.brownpapertickets.com/event/242628

Blane Fonda
Diarrhea Planet
Green Room Rockers
One Inch Punch
Danny Rebel and the KGB

Link: Blane Fonda

You are participating in this year’s Punk Rock Prom. What do you plan to wear for this  special occasion?

Anything goes! It’s Punk Rock Prom! You might see Ties, Vests, Sportcoats, Headbands, Hats, Shirts, Pants, Cumber buns, Dinosaur masks, Cuff-links, Belts, and most importantly: Dancin’ shoes.

If any band that should play at a prom, it’s Blane Fonda. And for this particular prom, you will be sharing the stage with bands like Diarrhea Planet after all. What do you have in store to liven up the night and what can people expect out of a Blane Fonda performance?

The reason we love playing PRP and keep coming back is the energy the crowd gives off – and no doubt, they get a lot of that energy from the other bands that night – Diarrhea Planet is a great example of that. There’s nowhere else we play where we get the same type of feeling. We bounce the energy the fans give off to us right back to them through our own music, and they give it back to us, and round ‘n round we go until the last note of the evening. I’m sure at some point in the show, Mark (our singer) will join the crowd on the dance floor and get wild. On the same note, we also encourage the crowd to sing/shout along with us, and as always, fans are invited onstage to participate during “In Search of The Giant Squid”…if you think you can keep up :)

“Foolish Croon” is chock full of energy. What was it like recording these songs and how does the band capture the spirit emotion and style within the confines of a recording like this? Did the result capture this? How does an album title like that reflect on the band?

We captured the energy of our new album through the original song writing process, mostly. We hunkered down for months doing pre-production on stuff we had already almost 99% finished, and we wrote some brand new songs completely from scratch. Some of the songs practically wrote themselves, while others needed further tweaking and it was a bit more—shortening, lengthening, adding key changes (oh we love key changes). Not to mention, we had another dozen or so songs written that didn’t even make it on this album. On the other hand, the actual recording/tracking process was a very individual process. Mainly because of our schedules and our former producer’s schedule, we tracked everything separately. It was a totally opposite approach considering how much of a group effort it was to write all the songs. Next time around, I think we all agree that we’ll all be together as much as possible through the entire recording process from soup to nuts.

Your sound lies in the middle of dance pop and punk prowess, how does the Chicago music scene fit (or not fit) into what you do and how has that influenced the band?

Chicago is an amazing city and we love it here, but I’d be lying if I didn’t say that there can be conflicting interests between the vastly different types of bands all trying to claw their way to the top. And sometimes even the crowds that turn out to a show aren’t sure what they’re seeing right in front of them the first time they come to a Blane show. It’s a huge city though, so you have to expect that. It’s just funny to us when we play a show in Chicago and feel on top of the world because the crowd is eating up every song, but you can always find a few people standing there, looking around, and worried about what everyone else is doing or thinking, or if it’s acceptable to dig this band…”I dunno, are they ‘cool’ yet? Am I wearing the right shirt? How do my jeans look?” People have to get over that and just have fun. That’s why we love playing for our fans in Indianapolis. It doesn’t matter if people have never seen us once, or are veteran fans that have come to every show we’ve ever played in Indy. Everyone is on the same level and just jumps into it as soon as we start. That’s why we’re always excited to play out there for you guys.

Do you get interesting interpretations on your music because of the non-defined genre the band lies in (it’s not distinctly punk and it’s not dance) and if so, how do people perceive this?

We create the music that we would love to listen to. It’s pretty simple. Our band is made up of 5 guys with a lot of diverse musical backgrounds and influences. But at the same time, we have a lot of overlap in our styles as well, and that overlap is the music that we create. I think during the writing process if we try to hard to be like, “Lets write this song that sounds like Queen”, then we can fall short. But if we’re like, “Lets develop a song off a guitar part that sounds like something Brian May would write,” then I think we can make a really strong song around that feel. As far as people’s perception of us, I’d say people can call us whatever they want as long as they’re calling us something. One time we had a write-up that said we sound like a cross between Meatloaf and U2. Neither of those bands would any of us consider a conscious influence (maybe sub-consciously?), but hey, we’ll take it!

The band has recently explored several various cover songs on the website. Can you tell me the reasoning behind this and why these songs? It’s a part of a kickstarter campaign, correct? Can you indulge in details and how it’s going?

The Kickstarter campaign was a great experience for us as a band. We had a donation amount set that if you donated X amount of money, we’d record and shoot a video of a cover song of your choice. ANY cover song. This left a lot of options of our fans, and we had a vast array of covers that people wanted to hear us play. Everything from The Cure, to Counting Crows, to the Animals. The covers are all finished up and sent-out now, I think we just have an original song or two left to compose and we’re done.

If my research is correct, the band is consistently writing new material. What kind of things are you working on and is there a new album in the works?

The great thing about our band is we’re always writing new material when we’re not rehearsing or learning new covers. It’s fun, and we think we’re pretty good at it, so why not? At the moment, we’ve been blessed with the opportunity to work with Sean O’Keefe and Greg Panciera here in Chicago. Sean mixed Foolish Croon beautifully, and Greg jumped in a couple of months prior to work with us after half of the album was already tracked. They’re brilliant guys and are helping us make our next big single which we will be releasing digitally to anyone who purchased Foolish Croon. It will probably be a while before we record another whole album, but don’t be surprised to see singles popping up once in a while to keep things fresh and to keep our fans happy.

Will you be sharing new material at the Prom? If so, can you share any details?

As always, our show will have a few surprises. But be ready to hear some of the older songs off of MOSABA, and a handful of new songs off Foolish Croon. Maybe we’ll throw a cover or two for the people who like that kind of stuff.

After the Prom, what is the band working on and what are the summer plans?

Finishing that new, unreleased song with Sean and Greg is a top priority when we return from Indy so we can release it to our fans ASAP via the internet. We’ll do some Chicago gigs this summer, like an officially official CD Release show for Foolish Croon to help market the new album. We’re working on getting some possible outdoor festival shows because those are really fun to play and the beer is free, but nothing set in stone yet. Most of all, I’m sure on Sunday morning after playing Punk Rock Prom, we’ll be anxiously awaiting and planning our next visit to Indianapolis to do it all over again.

Madi Diaz – Kiss and Tell

MadiDiazNew

Madi Diaz and Rachael Yamagata
Thursday, March 22
Radio Radio

Even though you may not know this yet, Madi Diaz is one of Nashville’s top singer and songwriters of the 2010s. It’s not that she received an award for this or given special recognition. Listen to her latest endeavor Plastic Moon and you will feel her soothing words flow through you, blossoming from brilliance in her songwriting and how it all coincides with solid accompaniment. It all seem so easy, or that’s what her talent will lead you to believe. The way she intertwines pop music into the context of what she is doing is stunning.

Attending the Paul Green School of Rock in Philadelphia and soon after the Berklee School of Music in Boston, she eventually landed in Nashville to be surrounded by the rich music scene Tennessee’s state capitol had to offer.

At the Berklee School, she met guitarist Kyle Ryan, who she formed a close musical bond for their talent of song collaboration. The two perform together as Madi Diaz.

Diaz is riding high on her third full-length album (Skin and Bone in 2007 and Far From The Things That We Know in 2010).

I talked with Diaz about her recent death-metal inspired video for “Gimme a Kiss,” her take on the Jensen Sportag Remix of “Trust Fall,” and her upcoming stop at Radio Radio in Indianapolis.

Links:

Madi Diaz Official Site
ZapTown’s Look at Jensen Sportag’s Remix of Madi Diaz’ “Trust Fall”

You recently released the video for “Gimme A Kiss.” What inspired the direction of the video and why the Black Metal slant? What was it like working with Erich Weiss and a director who is used to working with more raucous music.

I LOVED working with Erich. We had such a limited time to actually film the video being that we did it in the middle of another tour (we finished it in under 8 hours somehow), so we were VERY lucky that we hit it off – haha. Erich had sent me the idea for a black metal inspired direction for “Kiss” without even knowing that I had a younger brother in a speed metal band (called Fisthammer….they’re amazing) so the back and forth was all spark from the get go. So fun.

The first half of the video is a testament to those great songs you want to turn up and sing out loud do. How does that pertain to what you did with the song and do you express your music as a whole with this kind of passion?

I love pop music that you can feel in your toes. It’s definitely always been my goal to write stuff that I feel like I can attach myself to while I’m singing or performing it.

What was it that made you want to become a singer/songwriter? How did time spent in Philadelphia and Boston help shape that?

I think it was something that was always just under the surface, something that was in certain songs that I heard that I felt really attached to or a certain artist. I can’t remember how, but I stumbled upon Ray LaMontagne, and I remember dragging a bunch of my friends to go to his show in Boston. I knew then and there that I wanted THAT; to feel that much and to be that open and honest in front of so many people. That’s the epitome of strength to me. Boston and Philly are both places where I feel like I gathered a lot of the pieces that I was then able to put together when I moved to Nashville.

What led you to Nashville and how does the city influence you?

I had been in the northeast for a long time and was beginning to feel like I was going to buckle if I stayed there. I was in a serious relationship that was beginning to define where I was headed but I wanted to steer my own ship. Nashville was perfect. so much music and community and I needed to whip myself out of the head space I was in and figure out what I wanted. Nashville helped me grow.

Listening to “Plastic Moon,” the music feels more evident to be like a reflection, what does the album mean to you as an artist and person?

Plastic Moon was my growing and searching record. It can be a little daunting when embarking on your writing and recording and digging to try to discover what you want to be what you want to sound like. I’m super proud of the songs and the way it turned out, and I’m even MORE excited to keep scratching away at the surface. I think the record helped me to realize that I know I can push myself further now.

What led to the remix with Jensen Sportag and how do you feel about the results? I would imagine it to be a good feeling to know that your music is adaptable like that.

I admired JS from afar in Nashville for quite a while. We have a million mutual friends and it was a long and beautiful courtship of first friendship and then collaborators. It’s the most amazing feeling in the world when you meet someone with a mutual love for the sounds you create. It’s elating.

Is there a difference to you in feeling of writing a sad song versus something radiant? How do the two compare to you and how do they co-exist within that context of the album?

I think intention is the difference. I love songs that mask themselves and make you really listen to realize what they’re about. You can write an up tempo song that makes you dance and move but up close makes you mourn. or you can write a quiet song that sounds dark and emotional but might be about deep-sea diving or looking for sea shells. I try not to think about how they can co-exist but rather that they must co-exist because you can’t really have the light without the dark.

You are teaming up with Rachael Yamagata for this current tour which seems like a great compliment to each other. How do you feel the tour is going so far and how has the team up been?

I love Rachael. she’s been so good for me to be around because she just knows how to handle everything with such charming ease and calm. She works SO hard but at the end knows how to let go which is something that I’m working on! Hopefully this won’t be our last jaunt together!

In the scope of things, how much freedom do you give yourself on stage versus the recordings? Are there limitations?

I used to be by the book from our recordings but very recently realized how freeing and incredible it is to let myself wonder and interpret on a show to show basis. It really keeps you in the world of the now while you’re performing.

After the tour, what do you have planned?

I don’t have much planned through the summer but to hopefully write SO MUCH and kind of dream about where I want to go next. Kyle and I are releasing a new EP in early June that I think will give people an idea of where we’re headed…which…I mean…I’m not sure precisely where we’re headed…but we’re headed there right now!

White Rabbits with Arms at Radio Radio

White Rabbit
Arms
Radio Radio
December 2, 2011

It’s a rare treat to be able to say that Brooklyn’s White Rabbits performed in Fountain Square. What a better place than to hear the five piece shred through some indie rock bangers.

Arms opened the show and did not disappoint. Although not really a First Friday sponsored event, the show was a highlight to a great First Friday here in the city.

Arms

White Rabbits

 

Mountain Man Holds A Vocal Revival At Radio Radio, July 23

 

Link: http://mountainman.bandcamp.com/

MP3: Mountain Man – “Soft Skin”

Play

It’s Saturday night and you have choices to make. The night is prime for going out on the town. Might as well heat up the night from an already hot day. You could land in some random club being vibrated around by some random dance mix, or you could be in some smoky tavern-like atmosphere, pounding PBR tall boys until your breath makes that transformation.

In this local environment there is not a bad choice. However, something different is pointing its sails to Fountain Square where Radio Radio is hosting Mountain Man.

Mountain Man is not a man at all. It’s three women from the Eastern seaboard state of Vermont. Molly Erin Sarle, Alexandra Sauser-Monnig, Amelia Randall Meath combine vocal forces to create something as haunting as the wind through the forest trees and powerful as nature itself. But it’s more. It’s antique as the dusty armoire you saw buried in the back of the 1800s and as lovely as that summer rose standing tall and proud.

When you hear a song like “Soft Skin,” you get the feeling that you just stumbled across the three skinny dipping in that one mountain stream down yonder. You feel this voyeuristic sensation to their uninhibited storytelling.

Sometimes a cappella and sometimes accented with the notes of an acoustic guitar, their recent album Made The Harbor (Parisan/Bella Union) made ripples through the independent music community earlier this year and gives us a fresh and hypnotic perspective into the vocal experience.

Not quite ambient and not quite folk/bluegrass, the group lies outside of the realms of musical conception and they plan to take you into the underworld this Saturday.

They will be teaming up with Cheyenne Marie Mize. It may not be a hootenany in the traditional sense of celebrations, but it will be like an old time revival of spirits and one unique experience.

Mountain Man – Come All Yee (Live At The Wiltern) from Partisan Records on Vimeo.

 

 

Cass McCombs Coming to White Rabbit July 24

Cass McCombs
White Rabbit Cabaret
July 24, 2011

Link:
ZapTown review of Cass McCombs’ Wit’s End: http://www.zaptownmag.com/2011/05/cass-mccombs-wits-end-domino
Official Site: http://cassmccombs.com/

Cass McCombs has always been an elusive person in my eyes. I have molded him into a mysterious figure who floats in and out of existence whenever he churns out a new album. Like those of legend, you only get whiff of the exceptional talent he puts to recording with very little thought on the man himself. Who is he? Why does create and what fuels it? An Elvis Costello of the new age, you can imagine my reaction when I heard that McCombs was going to visit Indianapolis as a stop on an extensive U.S. tour July 24, at the White Rabbit Cabaret. It was like seeing a ghost.

While shocked that we have the opportunity to witness the flesh of this superb singer/songwriter, the anticipation and butterflies quickly followed, knowing that we are about to witness something rare and unique. We are about to experience Cass McCombs live.

A man who seems every bit as enigmatic and complicated as he visually presents, his latest album Wit’s End (Domino) is an amazing and beautiful work that deserves to be listened to and experienced in the purist context of music appreciation. And when the music speaks for itself, that is as important as it gets.

I had the opportunity to interview McCombs in 2005, surrounding his debut full length PREfection. After several scheduling roundabouts, I finally had my chance only to find out that he began refusing interviews for personal reasons. Psyched up from this surprisingly amazing debut album, the dream died, and I walked away subtly disappointed. But then I began thinking about it, and now that I look back on the missed opportunity, I’m glad I did not interview Cass McCombs.

Why?

When you look at PREfection, and the glowingly receptive Dropping The Writ on to the current release, you begin to think that it is impossible to make any interview do his career justice. The music says it all and what you make of his music is what you make of McCombs.

And not that I couldn’t have taken other opportunities to establish an interview as I feel sure that there will also be future opportunities. McCombs has plenty of prodding. Look online. There are interviews and articles searchable, but most dated, eventually proclaim the same, branding the guy as a “mystery man.” Maybe he wants it that way. And maybe I have the music giving me the answers I seek.

This July, when I peer out amongst the crowd and McCombs is on stage, I may have to blink twice because I will not believe me eyes that we actually have the chance to see this rare and extremely talented musician perform for our city. But I will be every bit as happy and excited to hear these songs that have become a staple in my music collection being played live.